Christmas
Bernard Hughes
There is, of course, a long tradition in this country of Christmas Messiah performances – but it’s not one I’ve ever previously participated in. This was the first time I’ve ever heard Messiah live, despite being quite long in the tooth – and it was terrific. I can see what I’ve been missing out on all these years. Handel really knew what he was doing – as do the Philharmonia Chorus, the Orchestra of the Age of Enlightenment and four excellent soloists, all under the leadership of Eamonn Dougan.I am no expert on the scholarship behind performance practice of Messiah, although the piece is Read more ...
graham.rickson
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¡Feliz Navidad! – Mexican Baroque Music for Christmas Kölner Akademie/Michael Alexander Willens (CPO)Two of the four composers featured in this effervescent anthology never set foot in early 18th century Mexico. However, printed copies of sacred works by the Madrid-based Francisco Corselli and José de Nebra did cross the Atlantic for liturgical use in newly built Mexican cathedrals. There’s some delectable music here, the works by Manuel de Sareumaya and Ignacio Jerusalem especially enjoyable. The Italian-born Jerusalem (1707- Read more ...
Thomas H. Green
According to the fifth song on their first Christmas album, seasonal shenanigans in Old Crow Medicine Show’s family are boozy and raucous. Step aside Santa because “Grandpappy's been a-brewing since before the war” and is “the best bootlegger for a Georgia mile”. The result is the riotous barndance fiddlin’ of “Corn Whiskey Christmas” (which brings “good cheer to all the gals and the fellas). I’m in!The song is a highlight of OCMS XMAS, a 13-track set which showcases the light-hearted side of a Nashville outfit who’ve been at the forefront of the US bluegrass revival for over two decades. Read more ...
Tim Cumming
American R&B singer Eric Benet is the latest star to throw Santa’s hat into the ring and spin a Christmas album out of the seasonal market – the cover has him in 1950s mode, in a deep leather armchair in front of a coal fire in magnolia jumper and slacks and a pair of Christmas socks. Cosy.Guests to Benet’s Christmas party include Nina Nelson, sharing vocals on a Christmas cut with a Hawaiian bent from the Bing Crosby stable, “Mele Kalikimaka”. Elsewhere Stacey Ryan shares the mic on one of Benet’s own songs, getting the tone just right for the jazzy, sprightly gait of “It’s Christmas”. Read more ...
Tim Cumming
A suitable place to find yourself out for the winter solstice, buttoning up for the longest night of the year, was at the Cadogan Hall off Sloane Square, a former place of worship marking its 20th year as a concert hall.The Unthanks, too, are approaching their 20th anniversary, and their winter tour of 2024 draws from their magical new album, In Winter, a double set that has drawn comparison to that ultimate winter album in British folk music – The Waterson’s Frost & Fire.For their celebration of the season, and of its spirits, they draw on big songs such as The Coventry Carol and The Read more ...
Boyd Tonkin
When does a concert become a ceremony? You generally visit the Barbican for art rather than ritual. Yet, during the Academy of Ancient Music’s performance last night, the bulk of a packed house still stood up for the “Hallelujah” that closes the second part of Handel’s Messiah.This charming, or plain odd, British folk-tradition supposedly derives from George II having done the same in 1743 – although there’s no evidence that the monarch ever rose to the occasion. In any case, it indicates that many of those who rightly love Messiah still treat it as much more than an especially fine Baroque Read more ...
Bernard Hughes
The Christmas album is an American phenomenon that doesn’t really exist in British music. Dating back to Frank Sinatra and Elvis Presley in the late 50s, it has long been a regular part of the business – with even Bob Dylan having a go in 2009.Ben Folds hasn’t done one before and, not surprisingly for this most inventive and wry of songwriters, his first is not a straightforward celebration of the clichés of the season, but a collection of songs now bittersweet, now sardonic, always with his poignant storytelling eye. It’s also something of a game of two halves, the understated ambiguity of Read more ...
aleks.sierz
This Dickens classic is an annual treat, or a Christmas trial – depending on your point of view. At the Old Vic, it was adapted by Jack Thorne in 2017, and like the holly and the ivy has been a hardy perennial ever since. Here Scrooge has been played by stars such as Rhys Ifans, Paterson Joseph, Stephen Mangan and Christopher Eccleston. This time it’s the turn of John Simm.Over the years, this show – which transferred to Broadway, toured the US and was also staged in Melbourne – has raised about £1.5 million globally for food poverty charities. Although this is clearly a good Read more ...
graham.rickson
Glance at The Holdovers’ synopsis and you might suspect that Alexander Payne’s latest effort is a slice of lightweight seasonal schmaltz. Yes, it is set at Christmas, and contains tear-jerking moments, but Payne and screenwriter David Hemingson throw so much more.The period detail has been much commented on, the early 1970s setting recreated with unfussy aplomb. Even the opening credits look vintage, the film’s digital footage processed to look like grainy analogue. Early scenes give little sense of where Payne will take us; what looks like a high-school comedy with a large cast quickly Read more ...
Adam Sweeting
Not just one, but two Santas in this agreeable seasonal romp. It’s set in small-town Northern Ireland, where single mum Patricia (Laura Donnelly) is struggling to bring up her two young sons, Mikey (Bamber Todd) and Sean (Joshua McLees). Her job at the Stuff for a Pound shop is barely keeping food on the family table, her boss Mr Brady (Lloyd Hutchinson) is a bully and a liar, and her son Mikey is exhibiting anti-social tendencies (by blowing up the school Christmas tree, for instance).A wonderful life it isn’t, but it suddenly becomes a bit more exciting when the local Ballycopse Bank is Read more ...
Boyd Tonkin
Prior to their Messiah, due this evening, Stephen Layton’s choir Polyphony brought a version of Bach’s Christmas Oratorio to the seasonal festival at St John’s Smith Square. You can of course slice and serve Bach’s majestic 1730s combination of musical leftovers (both sacred and secular) and fresh dishes in a variety of ways. But Layton’s choice spun a special mood of its own. With the dozen-strong choir supported by the Orchestra of the Age of Enlightenment, and four luxury-cast soloists, this gig amid the Baroque splendour of St John’s always promised a celebration in high style. Read more ...
Boyd Tonkin
We think of the Wigmore Hall as a venue for intimate revelations, but in the right hands it can feel like a stadium. Last night’s all-Bach programme of festive music from the London Handel Players managed to embrace both moods.On a bill that began with three Advent or Christmas cantatas and finished with a Magnificat that sounded, well, magnificent, characterful solo parts for singers and instrumentalists combined with blazing ensemble climaxes that gave the impression of a stage populated by far more than five voices and 15 players. The outfit led by violinist-director Adrian Butterfield Read more ...